藏品类型：书画
Collection Type: Calligraphy and Pain
藏品规格：3MX1M
Collection specifications: 3m × 1m
藏品价格：议价
Collection Item Price: Negotiable
在当代焦墨艺术的激流中，张松以《清明上河图》为母本创作的作品，犹如一场跨越千年的美学对话。用充满现代性的笔触解构了北宋张择端的经典长卷，将虹桥上的汴京繁华转化为对当代城市文明的哲学思考。一幅承载着集体记忆的古代市井图景，被赋予了全新的视觉生命。
In the torrent of contemporary dry-ink art, Zhang Song's works created with Along the River During the Qingming Festival as his matrix resemble a millennium-spanning aesthetic dialogue. Deconstructing the classic scroll by Northern Song artist Zhang Zeduan through modernist brushstrokes, he transforms the bustling Bianjing scene depicted on the Rainbow Bridge into philosophical contemplations of contemporary urban civilization. The ancient urban panorama carrying collective memory is thus imbued with renewed visual vitality.
一、经典的祛魅
张松对《清明上河图》的再创作，首先体现为对传统叙事逻辑的颠覆。他将原作的散点透视转化为立体主义式的空间叠压，虹桥与汴河被抽象为几何色块，八百多个人物简化为符号化的墨点。这种处理不是对经典的消解，而是通过革命性的创作激活观者的历史想象——那些跳跃的色块或许是酒旗，断续的墨线可能暗示着车马喧嚣。
不同于张择端精细的"界画"技法，张松采用"墨骨"与"泼彩"相结合的实验手法。故宫博物院专家余辉曾指出，这种创作实际上暗合了宋代"墨戏"传统，正如米芾用"米点皴"解构山水，张松用现代构成法则重构了市井长卷的视觉语法。
I. The Classic Deconstruction
Zhang Song’s re-creation of Along the River During the Qingming Festival first manifests as a subversion of traditional narrative logic. He transforms the original scattered perspective into a Cubist-style spatial layering, abstracting the Hongqiao Bridge and Bian River into geometric color blocks, while reducing over eight hundred figures to stylized ink dots. This approach does not dissolve the classic but activates the viewer’s historical imagination through revolutionary techniques—those jumping color blocks might suggest wine banners, and the fragmented ink lines could hint at bustling carriages and horses.
Departing from Zhang Zeduan’s meticulous "gongbi" (fine-brush) technique, Zhang Song employs an experimental fusion of "ink skeleton" and "splash color." Yu Hui, an expert from the Palace Museum, once noted that this method echoes the Song dynasty’s "ink play" tradition. Just as Mi Fu deconstructed mountain-and-water landscapes with his "Mi dot texture," Zhang Song reinterprets the visual grammar of urban scrolls through modern compositional rules.
二、焦墨的转译
作为中国焦墨画派的开创者张松在作品中注入焦墨的创作。在《清明上河图》里，这种独特的视觉语言，张松创作中最动人的，是对经典图像符号的创造性转化。在《清明上河图》中，他提取原作的十二个核心场景——赵太丞家的药铺、王家纸马店、虹桥争道等，将其转化为独立的焦墨装置。通过灯光照射，宣纸上的隐形墨线会逐渐显现宋代街市的完整轮廓，这种"显影"过程成为集体记忆重建的完美隐喻。
II. The Reinterpretation of Dry Ink
As the founder of the Chinese Dry Ink Painting School, Zhang Song infuses his works with the creative use of dry ink. In Along the River During the Qingming Festival, this unique visual language is most compelling in his innovative transformation of classical iconic imagery. From the original scroll, he extracts twelve core scenes—Zhao Taicheng’s Pharmacy, Wang Family Paper Horse Shop, the Bridge Dispute at Hongqiao, and others—reinterpreting them as standalone dry ink installations. Through carefully directed lighting, invisible ink lines on rice paper gradually reveal the complete contours of Song Dynasty streetscapes. This "development process" serves as a perfect metaphor for the reconstruction of collective memory
三、市场的回响：经典IP的当代价值重构
在艺术市场层面，张松的《清明上河图》创造了现象级的热度。值得注意的是，张松的创作催生了"新焦墨长卷"的创作风潮。年轻艺术家们开始以《千里江山图》《韩熙载夜宴图》等经典为蓝本，进行当代转译。这种创作现象，某种程度上实现了张松的初衷："不是要取代传统，而是搭建古今对话的视觉桥梁。"
III. Market Response: Reconstructing the Contemporary Value of Classic IP
In the realm of the art market, Zhang Song’s Along the River During the Qingming Festival has generated phenomenal popularity. Notably, his work sparked a creative trend known as the "Xin Jiaomo Longjuan (New Ink-wash Long Scroll)." Young artists have begun to reinterpret classics such as A Thousand Li of Rivers and Mountains and The Night Revels of Han Xizai, using them as blueprints for contemporary adaptations. This phenomenon, to some extent, fulfills Zhang Song’s original intention: "Not to replace tradition, but to build a visual bridge for dialogue between the past and present."
此藏品将在美国拍卖，欢迎各地藏友去竞拍
This item will be auctioned in the United States. Collectors from all over are welcome to participate in the bidding.
